![]() ![]() Harry Gregson-Williams was another composer I loved for the same reason. "Also scores like Crimson Tide and The Rock by Hans Zimmer, the way he would blend electronic music with orchestra was just mind-blowing to me at time. I don’t think I’ve met a soul who doesn’t get hyped if you put on Training Montage by Vince DiCola. As a kid I used to listen to the Rocky soundtracks nonstop. "During the '90s and through to about 2012, I had an unhealthy obsession with soundtracks and film scores. I had a completely different lead guitar part in the chorus when it was originally written, but it just didn’t sit right with m Shaun’s vocal melody, so we switched it up.Ĭinematic is a word thrown around a lot but it really feels like your songs have that feel – what films and soundtracks have inspired you over the years? "Obviously the vocal can change everything, so there are times we’ll adapt the track to suit what Shaun’s doing vocal-wise. ![]() I’ll write and record the music first and try and get it to an as finished state as possible before sending it over to Shaun. "They’re usually pretty well formed early on. How do you tend to work with Shaun – do you send him pretty well-formed compositions musically or is he involved in arrangement early on? As a kid I used to listen to the Rocky soundtracks nonstop
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